The owners, a retired couple, approached Studio Ben Allen to reconsider the piecemeal rear façade of their end of terrace Victorian house in north London and to provide a new kitchen and two new bathrooms – one to be on the ground floor and accessible. The architects were keen to consider how the extension could demonstrate exemplarily use of pigmented patterned concrete as both structure and architectural finish. Green patterned columns and beams create a framework for the salmon colour structural wall panels of the first-floor bathroom. Internally the use of pigmented concrete continues – with stairs, counters, sink, floors, benches, bath and washbasin all cast in pigmented concrete. A second theme is the use of louvered vaulted ceilings with bring diffuse light down into both the kitchen and bathroom. A double height space connects the new ground floor spaces with a new mezzanine on the first floor which in turn is connected to the main stair. This void allows light to penetrate deep into the house while also creating visual and aural connections through the house.
The creativity! The curves! The colours!
Project Team: Ben Allen, Omar Ghazal (project leader) / Structural Engineer: Entuitive / Landscaping: Daniel Bell Landskap / Structural and exterior concrete: Cornish Concrete / Interior Concrete: Concreations / Metalwork: Fish Fabrications / Photography: French+Tye
With its stylish mix of classic and contemporary design, this altbau apartment in Berlin-Charlottenburg by Gisbert Pöppler oozes understated luxury living and comfortable sophistication. Bold colour, striking artworks and modern furniture are the perfect counterpoint to the grand historic interiors.
Photography by Robert Rieger
Not everyone loved the last feature I shared of Annie Brahler of EuroTrash‘s work. And not everyone will love this one that is very Hollywood glam with gorgeous marble harlequin floors, lots of gold/brass and blingy chandeliers. But I had to share it because she’s got balls and I admire that. Go big or go home, amiright?
From its hotel-like foyer to its deep petrol blue hues in the kitchen this church conversion is the height of contemporary chic. A series of steel and glass boxes sit within the sandstone shell delineating spaces and allowing for privacy in what once was an open public space. St John’s Paddington by Sydney-based Tom Mark Henry.
Photography Damian Bennett
Always sophisticated, always stylish. Always beautifully curated with a restrained touch. Always elegant and always covetable. Dipping into the portfolio of a French design powerhouse. A House in Mayfair by Gilles et Boissier.