
I think by now you would know that I have a thing for beautifully renovated Victorian era architecture. I go weak at the knees for a stunning terrace house with contemporary yet sympathetic interiors. If the lower floor has exposed Sydney sandstone walls, light streaming in and a pool then I’m a goner. I’m real estate strolling scrolling in the Sydney suburb of Paddington in a stunning home with interiors by Madeleine Blanchfield Architects. If the bank manager would just lend me the millions required I’d move straight in. I wonder if the owner would leave the Leila Jeffreys’ bird photographs behind? Link here while it lasts.






















Timeless and elegant but with an edge, a little frisson. Design classics meet curated collections, eclectic with personality. Old, new and of course killer art (pun intended). Gramercy Park apartment by Alberto Villalobos of interior design studio A. Villalobos.










I’m still in London and I’m still lamenting the fact that I can’t afford anything at all but a girl can still live vicariously through real estate listings. I must say that I could move straight into this split level apartment in an old print works factory in East Central London between Old Street and Clerkenwell. Exposed beams, bold blue kitchen and great art. Love it all. Mitchell Street, London EC1 via The Modern House.


















Faded grandeur, modern furniture, tribal touches, truncated torsos, a confection of a little girl’s room and a blowsy summer garden. It’s a heady mix. Séguier, Paris 6 by Isabelle Stanislas.












When a textile and jewellery designer approached Brad Krefman of BK Interior Design to redesign her home in the hills of Mill Valley, California what was the result? A home that is bright and open, functional with high end finishes, light filled and fabulous, contemporary with a Scandinavian vibe, the perfect home for the client and her family.












P.S. If you love that fabulous painting in the dining room it’s Cool With Chloe, 2015 40×42 inches, acrylic on cut paper by Reed Anderson.