
We have had this blog for what seems like forever, and back when we first started the blog homes filled with flea market/thrifted finds were all the rage and Jo and I were obsessed. I think it’s safe to say we still are and this quirky, random, thrift-filled Harlem townhouse of architects Maria Berman and Brad Horn of Berman Horn Studio is so fun and artful and everything I remember loving about thrifted homes.
This renovation of a hundred-year-old Manhattan townhouse sought to honor the neighborhood’s rich architectural past while updating and redefining its spaces for twenty-first century living. In contrast to the small rooms typically found in rowhouses, here, the living, dining, and kitchen spaces are combined into a single large space spanning from the front to the back of the house. The kitchen is centrally located and designed as a single 18-foot run of lower cabinets that becomes an extension of the furnished spaces, and the beating heart of the house, whether for daily life or entertaining. In contrast, a small library at the back of the house brackets the large rooms with an intimate space that looks onto the yard below. The bedrooms are on the more private upper floors, and are sun-filled and cozy, layered with textiles and collected art. Throughout, the remaining historic details have been restored, but simplified through a cohesive painted palette that allows them to contribute to the architecture of the rooms without overwhelming them. Photos: Greta Rybus with some from this post via Remodelista

















The brief for the upgrade of this interwar Californian bungalow was to provide a retreat for a young family – sophisticated, liveable, relaxed. The kitchen was planned and executed to function as the heart of the family home. The client loves to cook and this laid the foundation to create a kitchen and butler’s pantry that cater to a family’s needs. An important part of the client’s brief was to have family friendly bathrooms with definitive details, custom finishes and fixtures. The beauty of the custom limestone checkerboard and cabochon floors is the subtle variation between the two types of limestone.
Designed by Phoebe Nicol, this home is about as serene and easy on the eye as it gets. It is elegant and refined yet inviting and has a sense of serenity. With all the light upholstered furniture they must have the most well behaved children on the planet 🙂 (Photos: Dave Wheeler. Styling: Joseph Gardner)






















Wings Place, sometimes referred to as ”Anne of Cleves House’, is one of the very few Grade I listed houses in private ownership in Sussex. The property is steeped in history and has been described as one of the best timber framed Tudor houses in the county. Wings Place is architecturally typical of the Tudor era, being timber framed with handsome characteristics including a striking gable to the northern aspect with oversailing to the first floor, ornamental timbers and carved bargeboards, together with tall brick chimneys and leaded light casement windows. Internally, the characterful yet spacious accommodation benefits from excellent ceiling heights and is arranged over three floors, with wonderful oak joinery, two oak staircases and several 16th Century inglenook fireplaces. The property is superbly appointed; sympathetically blending a wealth of original period features with quality, modern fixtures and fittings. (Photos: Adam Firman)
This gorgeous and historic 5 bedroom, 3 bathroom, 4 reception room home is for sale via Jackson-Stops for £2,250,000. I used to think Tudor homes were very dark and….harsh is I guess a reasonable word to use. Now I think all those wood beams and angles make this style so full of character.






















With a deep appreciation for design, our clients tasked us with creating a timeless kitchen, finely crafted using quality materials to meet the needs of their young family. Initially presented with a cluttered layout, we worked within the footprint of the existing kitchen to improve the flow and functionality of the space. Repositioning the breakfast nook below the newly exposed round window (previously hidden behind the refrigerator) creates a natural connection between the kitchen and living spaces beyond. A designated appliance area affords a sense of calm in the hub of the kitchen while displaying the client’s impressive ceramic collection. The role of materiality enriches the space, creating a warm and grounded kitchen for our clients to inject their passion for colour, pattern and pre-loved items.
I am immediately stashing away this kitchen by Stockholm-based Inuti Design in my inspiration folder. Many of us have dealt with a small, badly planned kitchen and this is such a stellar example of how to take the bad and turn it into something so very good. (There was a fridge in front of that round window??? Whyyyyyyyyyyyyy) Photos: Fanny Radvik; Styling: Linda Ring.










A stone’s throw from the Houses of Parliament, on one of the finest early Georgian streets in London, is this beautiful pair of houses that in 1906 had been combined to form a single dwelling. We remodelled the whole house, moving the kitchen and bathrooms, restoring the staircase, putting back panelling, replacing walls that had been taken down. The interiors are intentionally simple, drawing on the original early 18th century character of the rooms, but with a playful sense of pattern, and a palimpsest of history, running through its veins. We used extensive fabrics and papers from Watts of Westminster, Morris & Co and Robert Kime in developing a palette of soft, calm greys, taupes and greens, with splashes of burned red, yellow and Prussian blue throughout. The garden was completely remodelled by Pip Morrison and we designed a metal glasshouse at the corner of the garden which catches the rays of the evening sun.
Another timeless beauty designed by Ben Pentreath, where I could move right in as it is with simply my clothes, the husband and cats.











