
Built on the long, narrow site of a formed garage, this West London house is bright and light thanks to a series of courtyards and roof lights dictated by existing high boundary walls. The simple yet stylish interiors use a palette of white walls, oak floors, black framed windows and doors and cedar battens. The Courtyard House by architectural and interior design practice De Rosee Sa.






















I’ve always dreamed of warehouse living but this Surry Hills conversion by Josephine Hurley Architecture takes it to the next level. Those windows are to die for, the brick on fleek and the modern minimalism the perfect counterfoil to this historic industrial building.















Photography by Tom Ferguson

The renovation and extension (a second floor was added) of this 50s era home saw the floor plan reworked and a modern, minimalist approach taken as to materials and textures. The simple colour palette of white with black accents is warmed by wood giving the rooms an almost Scandi vibe but this is no Nordic abode. The exterior and the pool side are definitely a Californian dream. Green Oak Residence by SIMO Design.

















I’m stalking masculine, minimal and a Murphy bed in inner-city Sydney. Thankfully the fold-up bed is only in the guest room. A two bedroom apartment in an Art Deco warehouse building with bespoke joinery and high-spec finishes all within easy walking distance of the centre of one of the world’s most vibrant cities? Just might be my definition of the perfect bachelor pad. Link here while it lasts.




















This 3 bedroom house in central Flinders in Victoria was designed for a young family by Wolveridge Architects. The simple clean lines of the facade are matched by the interiors where a series of rooms are connected to each other through cut out views and slat screens. Changes of level, up or down a few steps also delineate the simple spaces, while a central courtyard with fireplace provides a sheltered outdoor room. Understated and simply stylish.















Photography by Derek Swalwell