
This Notting Hill apartment designed by Vanrenen GW Designs is a bit of a modern approach to classic English style with the prettiest shades of pink, blue, green and yellow. So many beautiful patterns too. I’ve taken to spending what little free time I have scouring Etsy for any patterned textiles. I’m obsessed 🙂















Our clients live in a charming but small house, so when the opportunity to buy the place next door arrived, they gladly bought the house and dedicated it to hospitality and art. Built in the 1980s, the interiors were filled with elaborate moldings and wallpaper. We simplified the rooms, channeling the spirit of early American architecture with some later Arts and Crafts details. The ground floor rooms are designed for the display of art and for entertaining, with guest rooms upstairs. The decoration reflects the philosophy of Jayne Design Studio: that great design is often a combination of the old and new– or as we often phase it: ancient and modern. We forged a connection between the back hall and the upstairs rooms by cutting a hole in the exterior wall and disguising it with a wardrobe – an ode to the homeowner’s fascination with mythology and The Chronicles of Narnia.
Love the bold use of colour, the eclectic vibe and the elements of whimsy throughout.


















Heidi Caillier strikes again with yet another project I am absolutely in love with. The combination of patterns and warm colours and that sexy black kitchen are making my heart skip a beat. GORG. (Photos: Haris Kenjar)













Milan-based Hannes Peer Architecture is quintessentially European and the attention to detail and gorgeous selection of furnishings and finishes puts them high up on my list of favourite firms.
The constant theme is the search for eclecticism as well as high quality in the design at all scales through the study of the close relationship between architecture, historical context and new technologies mediating between craftsmanship and industrial production. The language used in the design is stratified and eclectic, uniting poetic vision and rigorous design. The studio’s projects are recognizable by their strong iconographic identity, based upon continuous research on colours and materials and the contamination between the various contemporary languages. The style is a mix of traditional and contemporary, the overlapping of different styles, highlighting the respect for historical elements, including and superimposing contemporary elements, giving the whole project a sense of eclecticism and uniqueness. The projects are sophisticated also in terms of materials. This has much to do with the richness of the palette of elements that are used, such as silk rugs, oxidised metals, aged timbers, surfaces with different transparencies, textural surfaces, etc. The opulence of these textures mixed with the drama of the natural lighting imbue the space with a sense of theatre. The lusciousness of the textures and the theatrical nature of the space undoubtedly carry the stamp of a deeply Italian architectural and decorative research.


















The building at 55 East Cordova, a former relic of sand-blasted brick and old-growth timber, was a 150,000 sf warehouse built in 1909 by architect Edward Evans Blackmore in downtown Vancouver, B.C. It housed hardware and building supplies for a large-scale importer and distributor and was conveniently located next to the CP Rail terminus station. Almost 100 years later in 2004, the expansive warehouse was converted into live-work loft spaces, with the brick and fir beam construction exposed keeping the character of the building intact.
A lover of musical genres from acoustical to electronic, our client wanted a space that could expand and contract for hosting other music enthusiasts. The floorplan worked really well so we focused our efforts on updating the finishes to reflect his preference for bold colour and pattern. A few tired areas were rebuilt and we curated an eclectic mix of new and vintage furnishings and treasures. The client’s interest in music and art was the foundation on which we added layers of depth and authenticity.
Loving all the exposed industrial bits – every loft needs exposed brick, wooden beamed ceiling, pipes and large windows, and hardly any walls. This one is all that and a bag of chips. Designed by Falken Reynolds. Photos: Ema Peter.













