Displaying posts labeled "Black"

A masculine take on the Hamptons look. Black and white, at times moody with a modern meets midcentury vibe. Getting away to the Hamptons has never been so stylish. Milina Drive in East Hampton by New York based design firm BHDM.

A little slice of heaven in the Basque country. This old farm is now a stunning private residence that is as beautifully neutral as can be. Lots of wood used throughout that adds such a wonderful element of nature that exudes so much warmth. This is cabin style taken to a whole other level. Designed by Gilles et Boissier. Photos: Jerome Galland.

A historic home with most of the original features maintained, whilst being updated and giving some modern touches is the the type of home I crave and am always so pleased to find and share here. Like this 300 year old Colonial home in Connecticut designed by Ryan Lawson, where he painted out doors/windows/trim in black and added lots of textures with fabrics and rugs to make it really cozy. Inspirational! Photos: Stephen Kent Johnson; Styling: Colin King

This home speaks to me on sooooo many levels. Having a history and rustic vibe yet simple, modern architecture on the inside. That dichotomy as well as white vs black makes this home have so much energy and evokes emotion. I am completely smitten. Designed by Hallworth.

Nestled on ten acres in the foothills of the Santa Ana Mountains, is the quintessential Adobe of Montecito, named by an early owner, Ennisbrook, an Irish word meaning land by a river. Dating back in parts to the mid-1800s, it is an early architectural darling of the town it inhabits. The Adobe was left gutted with dust floors, essentially derelict as a result of an abandoned renovation when my clients acquired the property. The property had a heavy, mature, gravitas in juxtaposition to the young newlywed owners. The seriousness of the building required subtle strong detailing. However, the primary design inspiration came from Notre Dame du Ronschamp.  Corbusier’s masterpiece has an air of brutal honesty. The space is monastic and meditative, heavy-lidded and softly lit.   Architecturally we had similar conditions. Ennisbrook has limited fenestration and dark timber, hewn trussed ceiling original to the building.  Ronschamp’s walls are stark white, yet ethereal.  We similarly employed white reflective plaster and floors cast in integral white concrete, which speckled and crazed like a bird’s eggshell. Our light is restricted, but serene.  The kitchen blackened as a hearth itself is the heart of the home. Three years later the client moved into a home that was entirely realized, furnished with brutal simplicity, comfortable and negligently sexy, redolent of the past but infinitely modern, a perfect hillside retreat.

Would you like to live on a 31 acre private island in a home with a black exterior and exquisite architecture? I sure would!
Set on a 31-acre private island off the coast of Maine, this house perches on a bluff once occupied consecutively by two mansions, both of which burned. The client wanted the house to evoke the atmosphere of the original Shingle-style house on the site and to be a welcoming setting for family and house guests. While its architectural character is relatively simple, in keeping with the legacy of the Maine coast, elements suggest its design was influenced by buildings seen on the Grand Tour, such as the elaborate bracketed entrance with its diamante-patterned doors, sgraffito panels above the front door and the fluted Doric columns on the kitchen porch. Peter Pennoyer Architects wrapped the various forms in the massing in dark shingle and oriented all the principal rooms toward the water. The relatively narrow plan allows light to span the rooms from sea side to land side. Meanwhile, the interiors are brimming with architectural inspirations that seem to have come from the classical world, including a long, vaulted guest bedroom hall with apsidal spaces framed into the dormers. A sweeping stair has treads of wood imitating stone in its chiseled profile. Modern conveniences — air conditioning, built-in lighting and audio/visual systems — were intentionally left out. The interiors, including all of the finishes, were specified by our client who was the interior designer.

CREDITS:
Partner-in-Charge: James Taylor
Design Director: Gregory Gilmartin
Associates: John Gibbons, Matthew Cummings, Nebojsa Savic, Lucas Hafeli, F. Patrick Mohan, Timothy P. Kelly, Cecilia Rodgers, Cleary Shea, Jennifer Gerakaris
Landscape Architect: Fernando Caruncho
Interior Design: Alexia Leuschen
Photography: Eric Piasecki