
Designer Liz MacPhail saved this bungalow in Austin, Texas (along with Forrm Architects) and turned it into an absolutely charming home filled with character and history, and now modernity, whilst improving the flow and utility of the spaces. And salvaged everything she could along the way. Kudos to those ethos. Photos: Casey Dunn.













Portsea Beach House by Melbourne-based AM Architecture is a coastal retreat designed for a family of five on an expansive site with stunning views of Portsea and the bay. A concrete pavilion houses the main living areas and master suite, opening on both sides to blend seamlessly with the landscape. A timber-clad L-shaped wing contains bedrooms and amenities, creating distinct zones for parents and children. The material palette of washed-out timbers and natural hues enhances the home’s connection to its surroundings. Native grasses, a swimming pool and a tennis court integrate the design with nature, offering a tranquil escape from urban life.

















Photography by Dianna Snape.

This classic, timeless home sits right on the water of Lido Isle. Sophistication at its finest with hints of nautical moments and texture sprinkled throughout.
I love how warm and inviting this home is. Lots of wood used on the main floor help with that warmth, though I am not really a fan of what is going on above the dining table. I do however love the sort of English pub vibes of the kitchen – very unique. Designed by Morrison Interiors.















A serene Scandinavian retreat in Sweden by Studio Own Architecture blends wood, black and concrete for a refined yet understated elegance. Expansive windows frame the natural landscape, filling the minimalist interior with light. Clean lines and open spaces create a sense of calm, while concrete adds an industrial touch and black accents provide contrast. Outdoor decks seamlessly connect to nature, offering a tranquil escape for relaxation and modern living in the wilderness.








“We are going to buy a twelfth century monastery” declared the subject line of an email from a longtime client. This one just so happened to be located next door to a multi-year project that we have worked on for nearly a decade in the south of France. Though the monks had long since left the premises, the property retained much of its original character. Our mission was to unwind some of the modern alterations that had occured when a kitchen and baths were added– and insert something simpler and less disruptive. Ultimately putting the building back into service with a purpose closer to the original as a creative refuge and housing for artists in conjunction with Saint Joseph’s Arts Foundation.
Ken Fulk taking a monastic approach quite literally with this project and I could not love these gothic, old world vibes more.

















