
“I prefer to work with modern styles, to mix them and to use details from different eras and cultures. I believe that the «fusion» principle is the most natural way to create really “live” interior that is individually and personally oriented. In my projects I use technical innovations, advanced engineering, new materials, as well as elements of traditional crafts, vintage objects and elements of contemporary art.”
A restricted neutral colour palette and clean contemporary lines with the design spotlight thrown onto textural layering. Don’t you just want to curl up on that sofa and make yourself at home? Duna, an apartment in Kiev by Olga Fradina.









Photography by Yevhenii Avramenko

“A village of black timber and white brick living spaces … The new dwellings are built around a courtyard of an almost chequerboard geometry, designed to take in an abundance of natural light from all sides. A place of utter privacy and retreat, cool in summer with the shade of vine leaves; sheltered in winter to catch and store warmth.”
Don’t get me wrong. I LOVE the interiors but you’ll find me in that courtyard full stop. Courtyard House by Melbourne-based Powell & Glenn.







Photography by Sean Fennessy

Killing Matt Woods was inspired by the mid century modernism and the gardens and architecture of Palm Springs when designing The Rooftop bar at the Quarryman’s Hotel in Pyrmont, NSW, Australia. “The Rooftop” aims to attract the diverse crowds which populate the many creative offices & aims to attract the diverse crowds which populate the many creative offices & studio spaces within the Pyrmont peninsula, & hopes to give this City fringe suburbs occupants a genuine alternative environment from which to dance the night away. The circles that repeat throughout the space and the reclaimed multi-coloured timber floor make this eye-catching and really special.









Photography: Dave Wheeler

“The brief for an extension to a 1920’s house backing on to the Hobart rivulet and Fitzroy gardens called for increased visual and physical access to its garden setting. This was in stark contrast to the flood overlay planning requirements for the floor level to be raised above the site it sought to connect with. The resulting addition sets up a series of decks and landings at height intervals not requiring balustrades and gradually spills into the immediate garden drawing in the neighbouring park through large glazing and openings.”
A connection between in and out, light and shadow play, expansive view and glimpses through fins, new and old. Floodlight House by Crump Architects.












Photography by Matt Sansom

Gemma, founder of Balance Interior Design in South West London, believes that excellent interior design is about finding that sweet spot between what could oppose – aesthetics & function, period & modern, symmetry & offset. My design style leans towards calm interiors with a sense of space and organisation. I focus on light, layering and materiality for a pared back and relaxed style which is at once authentic, warm and inviting. Timeless, comfortable and serene.















