Displaying posts from August, 2012

My love of industrial/vintage items in a home drew me to this 18th century farm in Orgeval, France owned by a former journalist turned decorator and restorer. It’s flea market chich at it’s finest. Via Art & Décoration.

Dear Mr Miller,

This is a love note. I love your sense of colour. I have never felt green before. Perhaps I have but your greens, oh my, they thrill me. I love the light in your photos. Soft like a whisper, a promise, a dream. I love your composoition, your depth of field. No. No. Those are technical ideas. It’s more than that. I want to rip through my screen and just be in your shots. Somewhere an old clock is ticking, children are laughing outside and a dust mote hangs in the air. I just sit and breath in the beauty.

Jo

Photography by Johnny Miller.

Scaling the rock face in Cliffton, Cape town are eight storeys of luxury. Regular readers will immediately identify the architects as SAOTA – Stefan Antoni Olmesdahl Truen Architect. Wide walls of glass capture the breathtaking views, pools plunge into infinity, high end finishes and custom jopinery are a given. Unbridled luxury is a must. This is what you arrive home to when you have arrived. Nettleton 198 by SAOTA in collaboration with OKHA Interiors.

(Project description and floorplans after the jump.)

“The clients, a British couple living in Cape Town, requested a six-bedroom, seven-level home that makes the most of the site, the views and the mountain. The lower levels of the existing structure were totally remodelled while the upper level was demolished to allow for two new levels.

“Inspiration was drawn from the mountain and dark colours were used on the facade, allowing the building to visually recede into the mountain instead of being an obtrusive construction,” says Greg Truen, Project Partner. The site enjoys spectacular views, both of the sea and Lions Head and these views and the impact of the sun were key informants contributing to the overall design.

The sun being both a defining and also harsh influence on the property inspired the choice of screens, shutters and louvres that give the lower levels its distinctive gravitas. The living room can open up onto the west and the east completely, giving it the feeling of an open pavilion.

The finishes and detailing have been very carefully considered to achieve an integrated and visually effortless whole. The exterior of the building is clad in powder-coated aluminium which resulted in a very robust and precise surface finish. Internally, a much warmer look was achieved by using walnut timber. Black marble & glass were integrated into the design as accents.

The home is peppered with unusual design ‘delights’. The circular entrance area, clad in walnut timber, is one of the main features of the house. The space is amplified by a fascinating lighting installation of backlit slumped glass, that renders an “other-worldly” effect. An elegant floating timber staircase employs hanging stainless steel rods for a refreshing take on a balustrade. Others include the walnut-clad kitchen box, the granite-clad rim-flow pool and the sculptural cantilevered carbon fibre bar.

The clients wished to keep the interior as lean and focused as possible and the selection of furniture and lighting is both graphic and strong.”

Here is another home bathed in white, this time it’s a little less Scandi and way more glam. Via Inspace Locations.

I adore this apartment. Designed by b-arch (Jo blogged this firm recently here and here), this was formerly the attic and kitchen spaces of an eighteenth-century building renovated to make an open-space loft. I love the stairs (although not to code by Canadian standards), the flat file cabinet, the globe collection, the huge sign in the kitchen, the LIGHT BLUE SMEG!!!, colourful tomato cans, Jielde light fixture (I have 2 of those!), huge vintage map as a headboard. And then there’s all the white…and those floors….