I can’t remember how I first came across the Instagram account of designer Elle Patille (@leydi_milagros_design), though I do recall being instantly smitten with her style. In a really profound way. Her Victorian heritage home is located outside of Toronto and I fell in love with every inch of it. And once I saw the before photos I was even more enthralled with her home and her talent as a designer. Her home was very very white not long ago (as seen in this House & Home feature), and I have to applaud her for deciding to do a 180 and go mostly dark. The drama the home now exudes is magical, and the dark backdrop is exactly what was needed to showcase her collection of curiosities. (Yes, there is quite a bit of taxidermy in her home – if you aren’t a fan please move on to the next post and comments on this subject will be removed). Her aesthetic is what she calls modern ‘horror vacui’ (“fear of empty space”) and it’s breathtaking. Also, her and her husband share this home with a slew of dogs and cats so she gets major bonus points for that.
For me, home is a place that understands how you’re feeling and how to comfort you at any given moment. I knew there was a lot of potential when we purchased our home but I didn’t go into it with a vision. I did however go into it with a lot of emotion which allowed it to take shape without questioning it. In order to achieve this, I needed spaces that were healing and that tapped on every emotion… Spaces that were pretty but at the same time can give you the chills… rooms soft and romantic yet strong and masculine … dark busy rooms that are thought provoking and bright clean areas that allow for a clear and creative mind. In turn, it became a sort of therapy – a release, psychological turned physical and ultimately it became not just a home for me but rather a refuge.
Camperdown Warehouse, a residential refit within a former car assembly plant by Sydney-based Archer Office. The original warehouse conversion in 1993 had 2 mezzanine bedrooms that cut off light to the apartment’s interior. The new design creates a flexible three-bedroom residence “using a series of movable partitions supported by a lightweight steel frame. Each of the spaces open towards the main volume, so that the flexibility in partitioning also delivers shared spaces that add a feeling of generosity throughout.”
Photography by Kasia Werstak
Type St Apartment, a 35m2 one bedroom 70’s unitt subtly reimagined by architect Jack Chen of Melbourne-based Tsai Design. Cleverly designed to change between office and home.
There is so much drama when using dark colours in a space. Add in some touches of bold shades of mustard and blue and it’s a feast for the eyes. It has been a while since we featured the work or Parisian interior designer Marianne Evennou and I’m delighted to share more of her unique take on interiors.
When new owners purchased this 1842 four room Georgian cottage in Tasmania it was almost a ruin. Carefully it was restored, layers of unnecessary additions removed returning it to its subtle simplicity. But oh what stylish simplicity.
“The generations of families who previously occupied this house over two centuries were blacksmiths, carpenters and pastoralists. Their memory is recast in the new work through a series of finely crafted insertions, which provide contemporary amenity and create a delicate scaffold to the rooms.”
Bozen’s Cottage by Taylor + Hinds.
Photography by Adam Gibson and Michael Wee