
It was a ballroom and dance school in a former life and it certainly hasn’t lost its dramatic style. High ceilings, heritage features and daring dashes of colour. By Melbourne-based interior design firm Larritt-Evans.
















A weekend retreat in a calming colour palette of silvery greys and off whites, an inviting combination of custom and vintage furniture pieces and an emphasis on patina and polish. It all adds up to a delightful country house in Connecticut in a style that the interior designers Dumais call “airy rustic glamour”. I call it simply lovely.












Photography by Joshua McHugh

From a 17th century English manor house to a 21st century concrete and glass structure, from country house to townhouse let’s dive into the portfolio of one of the UK’s leading interior designers Robert Carslaw. The firm may be small but its influence is substantial. Calm, curated, traditional yet timeless.






















The soviet era was not kind to Kiev’s buildings. Brutalised and bastardised the city’s beautiful 19th and 20th century buildings are being awoken by a new generation of architects and interior designers. The owner of this apartment had previously been based in Berlin and turned to Iya Turabelidze to recreate that hip Berlin feel while embracing new and old Kiev. As to the project’s name “The House of Sand” it has to do with the blurring of time and space, a grain of sand pushed off a shelf in Berlin hits the floor in Kiev.












“The brief for an extension to a 1920’s house backing on to the Hobart rivulet and Fitzroy gardens called for increased visual and physical access to its garden setting. This was in stark contrast to the flood overlay planning requirements for the floor level to be raised above the site it sought to connect with. The resulting addition sets up a series of decks and landings at height intervals not requiring balustrades and gradually spills into the immediate garden drawing in the neighbouring park through large glazing and openings.”
A connection between in and out, light and shadow play, expansive view and glimpses through fins, new and old. Floodlight House by Crump Architects.












Photography by Matt Sansom